BHAVABHUTI

 

Bhavabhuti was an Indian playwright and poet who lived in the 8th century AD. He is considered one of the greatest playwrights in Sanskrit literature and is known for his three famous plays: Malatimadhava, Mahaviracharita, and Uttararamacharita.

Malatimadhava is a romantic play that tells the story of the love between the hero, Chudamani, and the heroine.Malati. Mahavira Charita is a historical play that recounts the life of a great king Vikramaditya. Uttararamacharita is a play that continues the story of the Ramayana after the return of Rama and Sita to Ayodhya. Bhavabhuti’s plays are known for their poetic beauty, powerful emotions, and deep philosophical insights. He is regarded as one of the “three jewels” of Sanskrit literature, along with Kalidasa and Magha. Bhavabhuti’s works have had a profound influence onIndian literature and culture, and they continue to be studied and 

performed to this day. His plays are considered equal to the works of Kalidasa. Bhavabhuti was born in Padmapura, in Gondia district, on the Maharashtra and Madhya Pradesh border. He was born in a Deshastha Brahmin family of scholars. His real name was Srikantha Nilakantha, and he was the son of Nilakantha and Jatukarni. He received his education at Padmapawaya, a place some 42 km South-West of Gwalior. Dayananidhi Paramahansa is known to be his guru. He composed his historical plays at Kalpi, a place on the banks of river Yamuna. He is believed to have been the court poet of king Yashovarman of Kannauj.

 

 

 Malati Madhava

 

    Malati Madhava is a famous Sanskrit play that is a romantic tragedy         that tells the story of Malati and Madhava, two young lovers from    different social classes who are separated by their families and social customs.Madhava is a young Brahmin who falls in love with Malati, the daughter of a wealthy merchant. Despite their different social backgrounds, they pledge their love to each other and plan to elope. However, their plan is foiled by Malati’s father, who arranges for her to marry someone else. The play explores themes of love, social class, family honour, and the conflict between duty and desire. It is widely regarded as one of the greatest works of Indian classical literature and has been translated into many languages.The story of Malati Madhava has been adapted into various forms of literature and performing arts, including dance dramas, operas, and films.

Mahaviracharita – Exploits of a Great Hero, is a play by a Sanskrit playwright Bhavabhuti based on the early life of Shri Rama. It is the first play of Bhavabhuti, so it lacks in character and style compared to his two later known works – Malatimadhava and Uttararamacharita. It currently consists of seven acts.

The play is composed of seven acts. Most modern scholars agree that Bhavabhuti has written the play from the beginning only to the 46th verse of Act V. According to one theory, the rest of the play is lost to time. Another theory suggests that Bhavabuti left the play incomplete after the 46th verse of Act V. 

The North Indian version is composed by a poet Vinayaka and the South Indian version is attributed to Subrahmanya. Both versions do not resemble Bhavabuti’s style. But, the North Indian version is considered better in quality than the South Indian version.

The poet removed the defect in the character of Shri Rama, that was because of his abandonment of his wife. At the same time he has shown the humiliated and sorrowful heart of Sita. In the literature, where there was a rule of predominance of Shringar and Veer Rasa in plays, Bhavabhuti brought a unique revolution in the theatrical world by writing a Karun Rasa-dominated play.

 

 

Sudraka

Sudraka

                               

Sudraka was an ancient Indian playwright who is believed to have lived in the 5th century CE. He is best known for his play “Mrichchhakatika- The Little Clay Cart”, which is considered one of the greatest  works of Sanskrit literature. Mrichchhakatika is a romantic comedy that tells the story of a young Brahmin named Charudatta, who falls in love with a courtesan named Vasantasena. The play explores themes of love, friendship, loyalty, and social status, and is noted for its complex characters and intricate plot. Sudraka is also credited with writing other plays, including “Veena Vasavadatta, Padmaprabhritaka, Daśarūpa and Bhagavatī. However, only Mrichchhakatika has survived in its entirety, and it remains one of the most celebrated works of ancient Indian literature. Mrichchhakatika and Veena Vasavadatta are based on Bhasa’s plays Daridra Charudatta and Svapnavasavadatta respectively.  

 

   Mricchakatika

 

The Little Clay Cart – is a play written by the great writer Sudraka. It is based on the story of the play Daridracharudatta by Bhasa. This play is a love story of a young Brahmin Charudutta and a rich and beautiful courtesan Vasantasena. Charudutta is married to Dutaa and has a son named Rohasena. They have a househelp Radanika. Charudutta has a best friend named Maitreya. Vasantasena is a famous courtesan of Ujjayini. Madanika is her best friend, who is always with her. Shakara is the antagonist of this play, who tries to possess Vasantasena forcefully. He is after her with his friends Cheta and Veeta, when she hides in Charudutta’s house to save herself. Charudutta meets her there for the first time, and they fall in love with each other. She tells him that she is being followed by some men and won’t be safe with all her jewellery. So she asks Charudutta to keep his jewellery with him. She does this in a hope of meeting him again when he returns her valuables. The jewellery gets stolen from the house by Sharvilaka, who is Madanika’s lover. She takes a loan from Vasantasena and is unable to pay back, so continues working with her due to the debt. Sharvilaka does this to help Madanika pay the debt and then take her with him to marry her. But, Madanika identifies the jewellery that is Vasantasena’ s. She passes out on knowing the truth. Vasantasena passes out too, who overhears this conversation. She agrees to accept the jewellery and frees Madanika to go with Sharvilaka. On the other hand, Charudutta is worried about Vasantasena’s stolen jewellery. Dutaa gives her valuable pearl necklace to Maitreya and asks him to give the necklace to Vasantasena instead of her jewellery. When Maitreya visits Vasantasena, the way he has described her house is very amazing. At the end of the play, Shakara tries to kill Vasantasena. He runs away after doing so. But, Charudutta is blamed for killing her. As the judge is about to declare him the killer, Vasantasena arrives in the court, and tells everyone that she is alive and Shakara is the one who tried to kill her. In this way the story ends with all of them living happily ever after.

 

Description of Vasantasena’s house by Maitreya in Mricchakatika

 

As told by Dutaa, Maitreya takes her valuable pearl necklace to Vasantasena’s place. He describes the house in detail. The house is eight quadrangular, he says. The first one is the entrance with a huge gate, on which long garlands made of flowers and mango leaves are tied. 

 

Veena Vasavdutta

 

Veena- Vasavdatta, a play written by Sudraka, is a love story of princess Vasavadatta and King Udayana of Vatsa. This play is based on Bhasa’s play SvapnaVasavadatta. The first eight acts of this play were found in Kerala, but the end part of the play is lost, that was about two to three acts. Vasavadatta is the daughter of King Pradyota, the king of Avanti. King Pradyota wishes to teach his daughter to play Veena. He is trying to find a suitable groom for her. God Shiva once tells him in his dream that his daughter will get married to an ideal man, but without will. He feels that King Udayana is a good choice for his daughter. But, King Udayana was too proud to accept the marriage proposal. King Pradyota orders to capture Udayana and put him in prison in Ujjayini, the capital of Avanti. King Udayana falls in love with Vasavdatta in Ujjayini, while teaching her to play Veena. He plans to escape from there along with the Princess. The last two to three acts of the play that are lost, probably describe the story about how King Udayana plans an escape with Vasavadatta and how they end up together. Bhasa’s plays Pratidnya Yaugandharayan and Svapna Vasavadatta, with the same characters, are very short. The main characters do not appear on the stage, and just are described indirectly. Unlike these, what Sudraka wrote is a full-fledged play with a very detailed story.